The DaVinci Resolve Speed Editor features a machined metal search dial in a design that includes only the specific keys needed for editing. It also has Bluetooth with internal battery for connecting wirelessly, or you can connect via USB-C. That means it’s more portable than a full sized keyboard!
The DaVinci Resolve keyboards allow a better quality editing experience because they create a physical connection to the edit that’s deeper than a simple computer mouse. The search dial is a machined metal design so it has a weighted feel and it can be spun fast to move up and down the timeline quickly. However the search dial is more than this because it can be used for live trimming! Simply press one of the trim buttons and the search dial will transform into a large adjustment knob for real time, precise trimming! Once you’ve experienced trimming with the search dial, it’s virtually impossible to go back to a mouse!
Hardware control panels are perfect for fast playback control! Instantly start and stop playback using the “space bar” style button that’s positioned so it can be pressed with your thumb! The shuttle, jog and scroll buttons change the functionof the search dial, so you can edit fast and accurately.
Traditional edit software uses thousands of clips to organize your media, so you need to constantly click and drag clips to edit. That’s too slow for work such as TVCs, news, promos and training videos. However old tape based linear editing had the advantage of all media being played from a videotape, so you could simply fast forward and rewind to see all your shots! Now the cut page has a modern version of the videotape and it’s called the “source tape”. Simply push the source button and use the search dial to scroll through all your media! Plus, the current clip is highlighted live in the bin! After the edit the viewer will stay in the source tape so you can move to the next shot faster.
Entering in and out points is the most used function in editing, so the speed editor keyboard includes large in and out point buttons that you can easily locate by feel. That’s perfect for two handed editing where you’re using your right hand for transport control and your left hand is placing in and out points and performing edits. You can simply scroll along with the search dial and place in and out points anywhere you want! Once the in and out points are set, just reach your fingers up to the edit function buttons to perform the edit. The in and out points can also be used to focus the source tape. Then you can change the source tape back to the whole bin by pressing the escape key.
Editing with a keyboard is different to editing with a mouse, so the cut page editing functions have been upgraded to take advantage of the speed of a keyboard. The edit functions are intelligent and use the “smart indicator” in the timeline to work out where to insert, so most of the time you don’t need to place in or out points in the timeline to do an edit! They are located just above the in and out keys, so are easy to locate by feel. Plus each time you edit, the cut page won’t waste time switching over to the timeline, allowing you to stay in the source tape and visually browse, placing clips continuously. That’s much faster as you can just keep throwing clips into the timeline!
Smart insert is similar to the traditional insert edit function, however it’s smarter as it eliminates the need to switch to the timeline and place an in point. All you need to do is select smart insert and it will locate the nearest edit in the timeline and insert the clip in that location!
Append to end is fantastic for building edits fast. Simply select an in and out point on the clip and then append to end will add the clip to the end of the timeline. Append to end is fantastic when adding shots to an edit from content that’s been shot in time order.
Ripple overwrite is a popular edit function and it lets you replace shots extremely quickly. When applied, it will replace the clip in the timeline with the selected clip and if the clip is a different length, it will adjust the space to accommodate the new clip and ripple the timeline duration.
Close up is best for creating two camera angles from the one camera. Simply shoot your subject with a wide or mid shot, and then when close up is applied, it will create a slightly zoomed in version of the same camera shot and place it on top of the timeline.
Place on top is similar to traditional edit functions and this edit mode will place the clip on top of the background layer that’s already in the timeline. If the timeline doesn’t have a layer above the background layer, it will add a new timeline track and then place the clip on top.
When shooting with multiple cameras and sync timecode, source overwrite lets you browse shots and add cutaways to your timeline. It automatically matches the clip timecode to the timecode of the timeline and places the clip in sync on the layer above. It’s a simpler alternative to multi‑cam!
and much more……….